Connie M. Landis, PhD
Art Department Chairperson

clandis@msubillings.edu

Watercolor by Pat Lee©, Billings artist of Temp, the Kelly Girl and Che-Che - the two fabulous Landis dogs

 

Direct link to Artists' Book Collection joins my(cyber)space.com. 

EDUCATION

1987 Ph.D. University of Wisconsin-Madison, Wisconsin
1978 M.S.Ed. Eastern Montana College, Billings, Montana
1962 B.A. Lawrence University, Appleton, Wisconsin
With additional coursework at the School of the Art Institute of Chicago, The University of Illinois-Campaign/Urbana and Rocky Mountain College, Billings, Montana.

 

 

Click on the link below to access the document.

EDCI 305 Teaching Art in the Elementary School Syllabus
EDCI 305 INTASC
EDCI 305 Art Resource Unit - Spring 2008
EDCI 305 Self-Evaluation of Art Teaching
EDCI 305 Tentative Assignments and Point Values

Technical Art Lesson Plan

Critical Process

Visual Art Event Evaluation Form

EDCI 315-Teaching Art K-12
EDCI 315 Teaching Art K-12 Art Resource Unit

 

TEACHING ASSIGNMENTS:

ART 101 - Fundamentals of Art for the Elementary Teacher (2 credits).
EDCI 305 - Teaching Art in the Elementary School (3 credits).
EDCI 315 - Teaching Art K - 12 (4 credits), a field based class.

Periodically I also teach:
            Art 399 - Careers in Art (1 credit).

            Art 498 - Resume and Artist Statement (1 credit).
            Art 499 - Senior Show, Visual Portfolio and Review (1 credit).

 

All my course syllabi state: I strive to provide a classroom (and workshop setting) “where ideas may be challenged and minds may be changed and/or positions affirmed…where ideas, views and responses are respected and courtesy is maintained.” In summary, I enjoy the various aspects of teaching!

ADVISING RESPONSIBILITIES:

Advising of undergraduate and graduate students is an important aspect of my position. Therefore, I take an active role in guiding advisees on diversified aspects of advisement - from the initial declaration of an art education major or minor through application into the teacher education program to completion of the Plan of Study to graduation and toward the first art teaching position. Assisting students locate initial art teaching positions throughout Montana and other states is satisfying.

PERSONAL ART TEACHING POSITIONS:

With 45 years of art teaching experience (29 university, 10 high school and 6 elementary), I continue to find satisfaction in the ever-changing teaching of art. I may be one of a few teachers in a wide area who devours art education journals, books and other vehicles for “free-time” reading and serious study.

This new information, along with the standard “old-time” information, finds its way into the classroom and is included in presentations and hands-on workshops conducted at the local, state and national levels on a regular basis. The open exchange of ideas with neophyte and experienced art teachers of all levels as well as with others concerned with art education is appreciated.

I recognize that I don’ have all the answers--much less have figured out many of the questions. Throughout the years, it has been a privilege to work with others to strengthen their art instructional abilities in a genuine and thorough manner. Often times I reflect on the idea that students teach me a lot more than I teach them.

TEACHING PHILOSOPHY: 

Art can make a difference in the quality of individual lives and in the society as a whole. Art created from a personal perspective encourages knowing one’s self better and appreciating others in the present, even glimpses into past societies and cultures. Art is that “special something” which gives an otherwise ordinary life more cohesive meaning--art enriches, art energizes and art empowers.

My passion for art teaching is captured in the following quotations, which may also serve as two overall challenges for students and for you, the reader:

Successful teachers challenge the process, inspire a shared end vision, enable
 others to act, model the way and encourage the way.  
           -Unknown author-

 We’re all like stamps, we leave impressions.          -Jim Morrison-

STUDIO RESEARCH INTERESTS:

       A book is like a garden carried in the pocket.            Chinese Proverb

I make one-of-a-kind Artist’s Books as my studio interest. These books synthesize the physical three-dimensional structure with a visual message. These messages most often question ideas and practices we take for granted and, at other times, are current ideas from my personal life or even global challenges.

I make hand-made paper from local materials intermingled with the use of commercial paper pulps. Hand-made papers from other papermakers are used also. Techniques include: collage, drawing, painting, printmaking and the embedding of “found” items.” Combining traditional and unusual materials and processes in a playful yet very serious way is always the focus.

Spreading the structure and message of Artists’ Books is evident in the many ways books become part of my instructional program, serve as extended workshop topics and are entered in gallery and exhibit venues. Many satisfying hours are spent in my home studio creating books.

You can cover a great deal of country in books.                -Andrew Lang-

[photogallery/photo00020144/real.htm]

Years

[photogallery/photo00027907/real.htm]

Middle Years

[photogallery/photo00006596/real.htm]

Later Years

[photogallery/photo00012936/real.htm]

Design Extravaganza

[photogallery/photo00010386/real.htm]

65,000

[photogallery/photo00027937/real.htm]


Seasonal Trees

[photogallery/photo00013406/real.htm]

Who Took...?


PURPOSEFUL TRAVEL: 

What a joy to travel, to meet interesting artists and other people and to spend time in art museums, galleries and studios enjoying the ambiance of other geographical places. At least two weeks to more than a month have been experienced in the following diverse countries throughout the years:

Australia, Botswana, Canada, Denmark, Egypt, England, France, Iceland, Italy, Namibia, Netherlands, New Zealand, Norway, Portugal, South Africa, Sweden, Zimbabwe and United States.

Surprisingly enough, these travels make me even more appreciative of this Montana home and provide ideas for creating Artist’s Books.

FRIVOLOUS COLLECTIONS:

Two favorite collections entertain me and give me an excuse to shop the junk and folk-art shops: 

  1. “Hear no evil, see no evil, speak no evil” monkey sculptures which can be traced to a Nikko temple, in an area north of Tokyo, Japan, from the 16th century. My collection, of course, encompasses contemporary renditions!

  2. Binney and Smith “Crayola” stuff such as inflatable BIG crayons, banks, lamps, clocks, cups, dolls, backpacks, easels, cameras, jewelry, tee-shirts, hats and other sundry items. These items are almost as ubiquitous around the world as McDonald fast food places!

 

  1.  

    The original monkeys who hear no evil, speak no evil, and see no evil enact their creed above a door to the sacred stable at Nikko.  17th Century wood carvers fashioned them after monkeys from this area north of Tokyo.  Copies spread to China and later to the whole world, but none captures the life and movement of Nikko's own.  

 

 
Return to MSU-Billings home page  | Return to The Department of Art home page

Last updated 09/03/08